by Brett Parker
In the latest issue of Entertainment Weekly, reporter Sean Smith has written a cover article entitled “Summer of Scandal,” which focuses on the recent slew of
Indeed, the tabloid frenzy over these bad girls can remind one of the days in which the bad boys of the 70s filled the scandal rags with now legendary stories of
One of the most persistent theories is that people are more accepting of seeing male celebrities acting wild than they are of the female ones. For Hollywood has traditionally been a male-dominated organization, one that prefers to see its women as proper, well-behaved pretty faces than as hard-partying sex beasts. Tara Reid once famously pointed out that people are more accepting of Colin Farrell being promiscuous than they were of her. There is undoubtedly truth to this theory and I’m sure feminist writers could pen many accurate essays out of this idea. Yet I feel there just might be a deeper reason as to why we let Jack and Warren off the hook yet are still hard on Lindsay and Paris: solid credentials.
When it comes to Hollywood achievements, none of these current een established as a screen icon with his wonderful supporting performance in Easy Rider. Instead of indulging in obvious commercial affairs, Nicholson decided to focus on more artistic and significant projects such as Five Easy Pieces, Carnal Knowledge, Chinatown, and One Flew Over the Cuckoo’s Nest. Throughout this decade, Nicholson garnered numerous Oscar nominations before finally winning one for Cuckoo’s Nest. His Oscar glory not only established him as a major
The 70s also saw Warren Beatty become a major creative force in
These two Hollywood giants were not only friends, but also neighbors who lived on
A definite difference in time periods play a significant part in this argument of 70s bad boys vs. contemporary bad girls. The sexual revolution of the 70s had a certain “ignorance is bliss” quality that brought about a general acceptance of it in Hollywood. It wasn’t until the STD awareness in which a certain mellowing began to take place. The starlets of today’s Hollywood occupy an era in which certain vices and their consequences are strongly highlighted in the American consciousness. There have been several movements in education to help properly educate people (especially young ones) on the tragic dangers of binge drinking, drug use, and driving under the influence. It seems very unlikely that these women are completely oblivious to the facts on their excessive behavior. For them to keep indulging in it is not only scandalous, but rather stupid. While Nicholson and Beatty undoubtedly broke hearts, the starlets of today are a growing danger to themselves and to others. In an era in which people have seen John Belushi, River Phoenix, and Chris Farley lose their lives in Hollywood excess, it is no longer fun to see celebrities dancing on the edge.
I’m reminded of a scene in Hollywoodland in which Bob Hoskins’ ruthless studio chief snarls at a disgraced star with “faces change!” That’s basically what it comes down to: Lohan and Spears are easily replaceable, but there’s only one Jack and one Warren. With their countless awards and unforgettable cinematic achievements, it’s hard to picture what
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